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                        <loc>https://text.yuktiagarwal.com/brown-alumni-magazine</loc>
            
            
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                        <loc>https://text.yuktiagarwal.com/desi-gned-magazine</loc>
            
            
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                        <loc>https://text.yuktiagarwal.com/artist-duo-creates-immersive-multimedia-installations-inspired-by-bioluminescence</loc>
            
            
            <lastmod>2025-11-22T10:56:23+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2325032777513380417922316671058/PHOTO_CREDIT-SID-DAVE-01.jpg</image:loc>
                                            <image:caption>Forces of nature installation in Jio Convention Center in Mumbai. Image courtesy of Sid Dave. </image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/F2325034039473589244466452273234/biolume1.jpg</image:loc>
                                            <image:caption>Dennis Peters, Non-linear and Yash Chandak, Cursorama. Image Courtesy of the Artists.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2325038621995305291319555168338/biolume2.png</image:loc>
                                            <image:caption>A
 permanent AI-powered projection mapping experience for Social’s terrarium-themed outlet in Bellandur. Image Courtesy of Yash Chandak.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2325038622142879243909231581266/biolume4.png</image:loc>
                                            <image:caption>An immersive art experience at India’s biggest metaverse summit, Namastey NFT. Image Courtesy of Ameen Abdullah &lt;br /&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/designers-we-love-alaiia-gujral</loc>
            
            
            <lastmod>2025-07-21T12:16:37+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2325068946173612948756137023570/shifting-horizons.jpg</image:loc>
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                                            <image:caption>Work by Sage Living. Courtesy of the Designers</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2330508310112979014413915035730/shifting-horizons-A.png</image:loc>
                                            <image:caption>Work by Sharol Ahulwalia. Courtesy of the Designers</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2330508527415624202712433072210/Shifting-horizons-B.png</image:loc>
                                            <image:caption>Handwoven textiles on minimalist furniture by Shivangi Vasudeva. Courtesy of the Designer&lt;br /&gt;

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                    <image:loc>https://freight.cargo.site/t/original/i/L2330508706146127532884278679634/shifting-horizons-C.png</image:loc>
                                            <image:caption>Reflective metal sculptures by Nitush and Aroosh. Courtesy of the Designers</image:caption>
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            <url>
                        <loc>https://text.yuktiagarwal.com/let&#039;s-talk-off-the-record</loc>
            
            
            <lastmod>2025-07-21T12:16:37+00:00</lastmod>
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                                            <image:caption>Leslie Hewitt, &lt;i&gt;Riffs on Real Time (3 of 10)&lt;/i&gt;, 2006–09. Chromogenic print, 30 x 24 inches (76.2 x 61 cm), edition 5/5. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee 2010.55. © Leslie Hewitt</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/J2325110406669764648722739009618/installation-srgm-off-the-record-title-wall-2021-2048x1152.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Installation view, Off the Record, on view April 2-September 27, 2021, Solomon R. Guggenheim Museum.&lt;/i&gt;&lt;i&gt; Image Courtesy: David Heald © Solomon R. Guggenheim Foundation, 2021.&lt;/i&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2325112383367519355217161525330/sadie-barnette-my-fathers-fbi-file-government-employees-detail.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Sadie Barnette. My Father&amp;#x27;s FBI File; Government Employees Installation, 2017 (detail). Five inkjet prints, edition 3/5, 22 x 17 in (55.9 x 43.2 cm) each. Solomon R. Guggenheim Museum, New York.&lt;/i&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/K2325114886443116205013639403602/gen-press-leslie-hewitt-riffs-on-real-time-3-of-10zzz.jpg</image:loc>
                                            <image:caption>Leslie Hewitt, &lt;i&gt;Riffs on Real Time (3 of 10)&lt;/i&gt;, 2006–09. Chromogenic print, 30 x 24 inches (76.2 x 61 cm), edition 5/5. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee 2010.55. © Leslie Hewitt</image:caption>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/way-back-archival-photographs</loc>
            
            
            <lastmod>2025-11-08T08:35:15+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
                                            <image:caption>PHOTO: BROWN ARCHIVES</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2325183083687021827751772723282/Classes-opener_dorm_lead.jpg</image:loc>
                                            <image:caption>PHOTO: BROWN ARCHIVES</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/A2325186464956763794638874384466/Nixon-Cut.jpg</image:loc>
                                            <image:caption>&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;PHOTO: MICHAEL BOYER / BROWN ARCHIVES / BROWN ALUMNI MONTHLY VOL. 70, NO. 8, MAY 1970&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2355053179008596166266518280274/Gazebo-In-Disguise.jpg</image:loc>
                                            <image:caption>&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;PHOTO: BROWN ARCHIVES  / BROWN ALUMNI MONTHLY, MARCH. 1952, VOL. 52, NO. 5&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2409936466876934729590309689426/It-was-almost-called-the-John.jpg</image:loc>
                                            <image:caption>&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;PHOTO: BROWN ARCHIVES / BROWN ALUMNI MONTHLY, OCTOBER 1962, VOL. 63, NO. 1&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2461654134543524970935603328448/Way-Back-BAM---Yukti-V.-Agarwal-.jpg</image:loc>
                                            <image:caption>ILLUSTRATION: VALERIE MARSELLA / BROWN ARCHIVES  / BROWN ALUMNI MONTHLY, SEPTEMBER 1983, VOL. 84, NO. 1</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2584160180436709892101891323328/Way-Back-BAM-.jpg</image:loc>
                                            <image:caption>PHOTO: BROWN ARCHIVES  / BROWN ALUMNI MONTHLY, VOL. 70 NO. 3, DEC. 1969</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2638301179144941870321504777664/BAM---Brown-s-Origional-Airwaves.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Louis M. Block Jr. ’40 and R. Sherwin Drury Jr. ’41 provide live, remote coverage of a Brown sailboat race.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
PHOTO: BROWN ARCHIVES/BROWN ALUMNI MONTHLY, OCTOBER 1981, VOL. 82, NO. 2</image:caption>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/ear-candy-music-reviews</loc>
            
            
            <lastmod>2025-10-05T09:23:25+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
                                            <image:caption>SCREENSHOT: YOUTUBE</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2325197931415986524348739786834/stowaways.jpg</image:loc>
                                            <image:caption>PHOTO: SOFIA KASSALOW ’26</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2355061420036170863787574073426/Cyberpunk---Daveed-Diggs-.png</image:loc>
                                            <image:caption>SCREENSHOT: YOUTUBE</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2409934449430322364271487653970/Screenshot-2025-06-18-at-7.10.04AM.png</image:loc>
                                            <image:caption>SCREENSHOT: YOUTUBE</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2461656457634239893547986089408/Sofi-Tukker---Yukti-V.-Agarwal-.png</image:loc>
                                            <image:caption>SCREENSHOT: YOUTUBE</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2584166543345930213032368436672/Love-OK-Go-1.jpg</image:loc>
                                            <image:caption>SCREENSHOT: YOUTUBE</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2584170422788442634519621039552/Screenshot-2025-10-05-at-2.52.31PM.png</image:loc>
                                            <image:caption>SCREENSHOT: YOUTUBE</image:caption>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/flights-of-fancy</loc>
            
            
            <lastmod>2025-07-21T12:16:37+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2325134285315885279083762063442/feat-GG-double1-inside.jpg</image:loc>
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            <url>
                        <loc>https://text.yuktiagarwal.com/dowry-of-the-dhurrie</loc>
            
            
            <lastmod>2025-07-21T12:16:37+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
                                            <image:caption>Dhurrie depicting a pair of lions with human faces and tiger stripes surrounded by sparrows at either end. Thakora village, Ropar District, Punjab, 1974. Image Credit: Ann Shankar and Jenny Housego&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/T2325234567258459465950664366162/Tiger_.png</image:loc>
                                            <image:caption>Dhurrie depicting a pair of lions with human faces and tiger stripes surrounded by sparrows at either end. Thakora village, Ropar District, Punjab, 1974. Image Credit: Ann Shankar and Jenny Housego&lt;br /&gt;
</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2325246912151634985709377722450/Parakeets_.jpg</image:loc>
                                            <image:caption>Dhurrie with judwen tote (pairs of parakeets), and the name of the weaver’s brother: Jasvir Singh, at the bottom. Mundi Kharar Village, Ropar District, Punjab, 1973. Image Credit: Ann Shankar and Jenny Housego</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2325246912483676379036149651538/Peacocks_.jpg</image:loc>
                                            <image:caption>Dhurrie with pairs of peacocks confronting a central plant, with a row of sparrows at either end. Marakpur village, Ropar District, Punjab, 1980 Image Credit: Ann Shankar and Jenny Housego</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2325248971361675933906624616530/Cocks.jpg</image:loc>
                                            <image:caption>Dhurrie with pairs of cocks facing each other. Dhanas Village, Union Territory of Chandigarh, 1990. Image Credit: Ann Shankar and Jenny Housego</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2325253104077984487426020907090/PG-57.png</image:loc>
                                            <image:caption>Detail of a dhurrie with a &lt;i&gt;guddian&lt;/i&gt; (doll) depicted as a &lt;i&gt;jago&lt;/i&gt; (female figure carrying a large oil lamp on their heads). Dhanas village, Union Territory of Chandigarh, 1990. Image Credit: Ann Shankar and Jenny Housego</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2325253519922936141060442986578/PG-54_.jpg</image:loc>
                                            <image:caption>Detail of a dhurrie with British &lt;i&gt;memsahibs&lt;/i&gt; (madames). Khudda Jassu village, Union Territory of Chandigarh, 1975. Image Credit: Ann Shankar and Jenny Housego</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2325256173099689518631542364242/Geometric_.jpg</image:loc>
                                            <image:caption>Dhurrie with multicolored geometric design of serrated lozenges and other forms in colored bands. Kansal village, Ropar District, Punjab, 1969. Image Credit: Ann Shankar and Jenny Housego</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/combat-on-the-carpet</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
                                            <image:caption>Afghan War Rug designed in the form of a prayer-mat with a &lt;i&gt;mihrab&lt;/i&gt;, depicting helicopters, fighter jets, tanks and fragmentation grenades, possibly made by Taimani women, completed in the early 1980s. Image Credit: The Trustees of the British Museum&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2325311659098082317739267233874/Image-2_.png</image:loc>
                                            <image:caption>Afghan War Rug depicting US Predetor Drones with a Turkmen Border, completed in 2016. Image Credit: Kevin Sudeith, War Rug</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2325311703112013677610257389650/1323208001-2.jpg</image:loc>
                                            <image:caption>Afghan War Rug depicting the events at World Trade Center, completed in 2004. Images Credit: The Trustees of the British Museum</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2325313801576726014661430122578/1064319001-2.jpg</image:loc>
                                            <image:caption>Afghan War Rug designed in the form of a prayer-mat with a &lt;i&gt;mihrab&lt;/i&gt;, depicting helicopters, fighter jets, tanks and fragmentation grenades, possibly made by Taimani women, completed in the early 1980s. Image Credit: The Trustees of the British Museum&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2325314513049198193565126400082/Sepoy-with-Flowers-.jpg</image:loc>
                                            <image:caption>Afghan War Rug of an Army General’s Portrait, acquired in Peshawar in 1985. Image Credit: Annemaria Sawkins and Enrico Mascellino&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/lanka&#039;s-tree-wine</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/B2325433576009295449674429536338/aliya.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2325433656400206122900655478866/jula.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2325433733341575654343195269202/coco.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/F2325436117029844859091455088722/arrack-1.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/J2325436117232759043902260156498/arrack-3-.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2325437707729479823213510039634/arrack-2.png</image:loc>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/paradesi-synagogue</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
                                            <image:caption>Map of Fort Cochin from ‘The True and Exact Description of the Most Celebrated East—India Coast of Malabar and Coromandel as also of the Island of Ceylon’ by Philip Baldeaus, 1744, opaque watercolor on paper. Image Credit: Bartele Gallery</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2325770399739470074878483535954/antique-plan-of-cochin-by-baldaeus-1744.png</image:loc>
                                            <image:caption>Map of Fort Cochin from ‘The True and Exact Description of the Most Celebrated East—India Coast of Malabar and Coromandel as also of the Island of Ceylon’ by Philip Baldeaus, 1744, opaque watercolor on paper. Image Credit: Bartele Gallery</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2325771116432370826641982920786/Codice_Casanatense_Jews_of_Malabar.png</image:loc>
                                            <image:caption>Portuguese illustration from the Códice Casanatense, depicting the Jewish people of the Malabar Coast in India, circa 1540, opaque watercolor on paper. Image Credit: Biblioteca Casanatense, Rome</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2325771485902207878970592237650/IMG_3954.png</image:loc>
                                            <image:caption>Tiles from the Paradesi Synagogue in Fort Kochi, Kerala. Image Credit: Yukti Agarwal</image:caption>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/the-quintessential-madhumalti</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/X2326581372879271411621023750226/2-Kamdeva.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2326584944703879659927793604690/a3835303d87a6770e60276a463ee76f7.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Illustration of &lt;i&gt;Quisqualis indica&lt;/i&gt; (currently accepted name &lt;i&gt;Combretum indicum&lt;/i&gt;) from the General John Eyre Collection, ca. 1800. Image Credit: Royal Botanical Gardens Kew&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/X2326589741226273705885404797010/88763e6e24264706f4f7e56f26e7efa6.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2326608543051724090272179853394/3-Miniature-painting_.png</image:loc>
                                            <image:caption>A miniature painting titled ‘Fairies Descend to the Chamber of Prince Manohar’ from a Gulshan-i ‘Ishq (Rose Garden of Love) folio in which fairies arrive at the Prince’s chambers to take him to his Princess, 1743. Image Credit: Metropolitan Museum of Art</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2326609106544415309877853067346/1945-65-22cover-pma.png</image:loc>
                                            <image:caption>Arguably the fi nest intact illustrated manuscript of Gulshan-i ‘Ishq (Rose Garden of Love) comprising ninety-six illustrations within a gold embossed leather folio, Deccan Region, India, 1743. Image Credit: Philadelphia Museum of Art</image:caption>
                                    </image:image>
            
                
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                    <image:loc>https://freight.cargo.site/t/original/i/X2326618375369229562273996249170/f4085d08d9d3ad4f23b4e1aefb38a8bd.jpeg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2326618467842757603779978500178/1f63b9ef9005e2c937d1d65c43ba5a35.jpeg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/J2326618468027225044517074016338/2fe43fae3fb256b59d0a251210fbc3ed.jpeg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2326618468045671788590783567954/9c1dadcba246299e79701be7f79431aa.png</image:loc>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/bhutan’s-pillars-of-happiness</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2326581372879271411621023750226/2-Kamdeva.jpg</image:loc>
                                            <image:caption>Gorina Monastery situated in the Paro valley, 1970. Image Credit: Bonhams/BNPS&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2326668896481795154677032327250/bhutan1.jpg</image:loc>
                                            <image:caption>Gorina Monastery situated in the Paro valley, 1970. Image Credit: Bonhams/BNPS&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2326669723928947324992679614546/bhutan3.jpg</image:loc>
                                            <image:caption>Sculpture of Buddha attended by Bodhisattvas Avalokiteshvara and Maitreya, second half of the 8th century, Sumatra or southern Thailand, copper alloy. Image Credit: Metropolitan Museum of Art&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2326670636526270139551617161298/bhutan2.jpg</image:loc>
                                            <image:caption>A Thangka Painting representing the Kalāchakrā Mandalā, mid 15th century, Central Tibet, Ngor Monastery, paint on fabric. Image and Text Credit: Sotheby’s&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2326673704957679360398432966738/bhutan5.jpg</image:loc>
                                            <image:caption>The Tiger’s Nest Monastery, 21st century. Image Credit: Getty Images&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2326674011819267026556824098898/bhutan4.jpg</image:loc>
                                            <image:caption>The ancient Tiger’s Nest Monastery sitting on a steep mountainside, thousands of feet above sea level, 1970. Image Credit: Bonhams/BNPS</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/women-of-the-mughal-harem</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
                                            <image:caption>&lt;br /&gt;
Portrait of Arjumand Banu Begam, commonly known as Mumtaz Mahal, painted on the cover of a mirror case, ca. 1628, attributed to ‘Abid Aqa Riza Shah Jahini. Image Credit: Freer Gallery of Art</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2325396897997565555572469962834/Anjuman-Banu-Began_.png</image:loc>
                                            <image:caption>&lt;br /&gt;
Portrait of Arjumand Banu Begam, commonly known as Mumtaz Mahal, painted on the cover of a mirror case, ca. 1628, attributed to ‘Abid Aqa Riza Shah Jahini. Image Credit: Freer Gallery of Art</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2325397896925650635092109072466/Abanindranath_Tagore_-_The_Passing_of_Shah_Jahan-_1902.jpg</image:loc>
                                            <image:caption>Jahanara Begum beside Shah Jahan as he passes, 1902, oil on board, Abanindranath Tagore. Image Credit: Victoria Memorial Hall, Kolkata</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2325398092959199906403514095698/Nur_Jahan_holding_a_portrait_of_Emperor_Jahangir-_about_1627.jpg</image:loc>
                                            <image:caption>Nur Jahan holding a portrait of Emperor Jahangir, ca. 1627, opaque watercolor and gold on paper. Image Credit: The Cleveland Museum of Art</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2325400656872158711294093203538/mango-opposite-image.png</image:loc>
                                            <image:caption>Ladies on a Terrace, ca. 1700-1710, opaque watercolor and gold on paper. Image Credit: Brooklyn Museum</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2325402081993818869799212849234/Jahangir_and_Prince_Khurram_with_Nur_Jahan.png</image:loc>
                                            <image:caption>Jahangir and Prince Khurram with Nur Jahan, ca. 1624, opaque watercolor and gold on paper. Image Credit: Google Arts &amp;#x26; Culture</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/inherent-vice</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/O2329987549156832204327343134802/Yukti_V_Agarwal_InherentVice_2022_12.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2330462369050265762986901936210/inherent-vice-.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2330474237150447209574834673746/inherent-vice.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2330475926816864129148634044498/inherent-vice-2-.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/kashmir-cashmeer-1</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/D2330249884085886962971332352082/KASHMIR1.png</image:loc>
                                            <image:caption>CARTOGRAPHIC DRAWING: Political Sub-Divisions of Pre-Partition India. National Geographic Magazine, 1946; CASHMERE. IN THE SCINDE VALLEY. Photograph by Francis Frith, 1850s–1870s. Victoria &amp;#x26; Albert Museum, London E.208:892-1994. &lt;br /&gt;
&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2330256676158608158754527811666/Yukti_V_Agarwal_kashmircashmeer_2022_6.png</image:loc>
                                            <image:caption>JOURNEY OF THE JAMAWAR: An exhibition at the RISD Museum’s Aldrich Galleries exploring the roots of Kashmiri weaving using native terminology and engaged scholarship. Image courtesy of the RISD Museum.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2330262238313114984027078826066/34092678_1458341490.jpg</image:loc>
                                            <image:caption>LUCY TRUMAN ALDRICH. Image courtesy of Dawna Westbrook.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2330264769187955152903850989650/receipt.png</image:loc>
                                            <image:caption>CUSTOMS RECEPIT. From Ms. Aldrich’s purchases of curios and antiques from Bombay (now Mumbai). Image courtesy of RISD Museum.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2330267910576237185271943436370/View-of-the-Port-of-Bombay-Mumbai---c1890-s.JPG</image:loc>
                                            <image:caption>PORT OF BOMBAY. Image courtesy of James Kerr.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2330274305914833587783812290642/paisely-loom.jpg</image:loc>
                                            <image:caption>JACQUARD LOOM, PAISLEY MUSEUM. Jacquard loom used for weaving Paisley shawls after about 1840. Taken circa 1960. Image courtesy of “cessna152towser” on Flickr.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2330294803162085042741766821970/Screenshot-2025-04-28-at-10.25.31PM.png</image:loc>
                                            <image:caption>KANI WEAVING WITH TUJI. Image courtesy of Kashmir Box.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2330299140618806070363476498514/2016JD9401.jpg</image:loc>
                                            <image:caption>SPINNING SHAWL WOOL. Drawing by John Lockwood Kipling. Circa 1870. Courtesy of the Victoria and Albert Museum.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2330309801416481380808675072082/Screenshot-2025-04-28-at-10.39.01PM.png</image:loc>
                                            <image:caption>MARKET PLACE ON THE DAL LAKE: Photograph taken from a &lt;i&gt;shikara&lt;/i&gt; (wooden boat) on the Dal Lake, Srinagar, before dawn. Image courtesy of Aswin Chand, 2021</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2330320003185377161065391233106/2012FN9069.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/A2330322536329166851008438245458/2006AT6197.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2330328587119477444773302016082/RISDM-S1986-014-2008-v_01.tif.jpg</image:loc>
                                            <image:caption>PAISLEY MOTIF. Kashmiri &lt;i&gt;Shawl&lt;/i&gt;. Courtesy of RISD Museum.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2330394155665459075752910952530/paisley-risd-museum-.png</image:loc>
                                            <image:caption>PAISLEY IN JAMAWAR SHAWL. Courtesy of RISD Museum.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2330397805612028476219631900754/receipt2.png</image:loc>
                                            <image:caption>RECEIPT FROM ABDUL KHALIK. Courtesy of RISD Museum.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2330433033359186039350352975954/Screenshot-2025-04-29-at-12.30.24AM.png</image:loc>
                                            <image:caption>PASHMINA FIBER. Courtesy of Anoop Negi. </image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2330434713322615576152928196690/RISDM-30-081ab.tif.jpg</image:loc>
                                            <image:caption>PERSIAN SOCKS ca. 1830. Courtesy of RISD Museum</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/why-are-my-county’s-treasures-sitting-in-your-glass-cases-1</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
                                            <image:caption>Courtesy of the RISD Museum, Providence, RI.</image:caption>
                                    </image:image>
            
                
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2324741771972156769165952456786/RISDM-2007-32-1-v_01.tif.jpg</image:loc>
                                            <image:caption>Courtesy of the RISD Museum, Providence, RI.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2324746481905534133130928363602/RISDM-2007-32-1-v_06.tif.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2324746526030145957444175829074/RISDM-2007-32-1-v_09.tif.jpg</image:loc>
                                            <image:caption>Details, Courtesy of the RISD Museum, Providence, RI.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/in-our-focus-on-viruses,-we-underestimate-the-risk-of-deadly-bacteria</loc>
            
            
            <lastmod>2025-07-21T12:16:37+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2324771107995277886129273346130/BDH_Caption.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/fast-fashion—not-so-fashionable</loc>
            
            
            <lastmod>2025-07-21T12:16:37+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
                                            <image:caption>Aerial view of a factory in Bangladesh. Image Credit: Fahad Faisal</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2324809179197353947145118718034/Fast-Fashion-7.jpeg</image:loc>
                                            <image:caption>Sewn garments in a Bangladeshi warehouse after the dyeing process. Image Credit: Reverie Page</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2324809179012886506408023201874/Fast-Fashion-6.jpg</image:loc>
                                            <image:caption>Bangladeshi woman transporting fabric across a water body polluted with textile waste. Image Credit: No Brand Custom</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2324822972067705532735086172242/Fast-Fashion-8.jpg</image:loc>
                                            <image:caption>Bangladeshi workers in a garment factory on the outskirts of Dhaka. Image Credit: Source Unknown</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2324823977839532663600968931410/Fast-Fashion-4.jpg.jpeg</image:loc>
                                            <image:caption>Bangladeshi woman transporting fabric across a water body polluted with textile waste. Image Credit: No Brand Custom</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2324832033219075003309097261138/Fast-Fashion-3.jpg.jpeg</image:loc>
                                            <image:caption>Textile off cuts in Bangladesh. Image Credit: Mohammed Anwarul, Kabir Choudhury via The Guardian</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2324832033403542444046192777298/Fast-Fashion-2.jpg.jpeg</image:loc>
                                            <image:caption>Bangladeshi workers at a garment factory on the outskirts of Dhaka. Image Credit: NurPhoto via The Guardian</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2324833319030923917159683102802/Fast-Fashion-1.jpg</image:loc>
                                            <image:caption>Aerial view of a factory in Bangladesh. Image Credit: Fahad Faisal</image:caption>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/why-i-love-art-my-nani’s-tijori</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P841243314324941405425273481820/horizontal.svg</image:loc>
                                            <image:caption>A vignette of a two-year-old me with my nani’s exquisite Phulkari, 2002, Photograph. Image courtesy of the author</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2324856674601169593412660533330/MAP-2.jpg</image:loc>
                                            <image:caption>Jamawar Length, Pashm, late 1800s. Image courtesy: Museum of Art, Rhode Island School of Design</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2324856674619616337486370084946/MAP-3.jpg</image:loc>
                                            <image:caption>Jamawar Shawl, Pashm, late 1800s – early 1900s. Image courtesy: Museum of Art, Rhode Island School of Design</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2324857698745953821693256702034/MAP-1.jpg</image:loc>
                                            <image:caption>A vignette of a two-year-old me with my nani’s exquisite Phulkari, 2002, Photograph. Image courtesy of the author</image:caption>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/journey-of-the-jamawar</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2326759791835540922586013931602/2006AV1445.jpg</image:loc>
                                            <image:caption>A Shaul Goat, ca.1779, Calcutta, opaque watercolor on paper, attributed to ‘Company School’ artist Zayn al-Din from the Impey Album of animals and plants of India. Image Credit: Victoria and Albert Museum&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2326761027158651306693557000274/2011EN9352-copy.png</image:loc>
                                            <image:caption>Portrait of Sayyid Mirza Azim Beg, the Jagirdar (landowner) of Hansi, draped in a Kashmiri shawl, 1820-1825, att ributed to Ghulam Ali Khan, opaque watercolor on paper. Image Credit: Victoria and Albert Museum&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2326763925640207376454273767506/2011EN9435.jpg</image:loc>
                                            <image:caption>Portrait of Ishwari Sen of Mandi with an orange Kashmiri shawl worn as a patka (belt) and draped over the arm ca.1825, opaque watercolor on paper. Image Credit: Victoria and Albert Museum&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2326772779265706017795829176402/33638.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/J2326775561846369072439433140306/27894.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/sensory-silhouettes</loc>
            
            
            <lastmod>2025-07-21T12:16:37+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2328189575652009640762896848978/tek-root-work-.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2328634002191845265575055235154/patola.jpg</image:loc>
                                            <image:caption>Resist dyeing the weft for the double ikat technique prior to weaving. Image Credit: Saurabh Chatterjee via Flickr</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/K2328634082140034081032251938898/arts-and-crafts-of-india-patola-saris.jpg</image:loc>
                                            <image:caption>Weaving of Patolu saris on a handloom in Patan. Image Credit: Priti Bhatt via Architectural Digest India</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2328635748932488349206207305810/RISDM-55-292-det.tif.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2328646067413933883823256541266/Bandhani-content-29.jpg</image:loc>
                                            <image:caption>Painting from East India Company School depicting a woman in a red Bandhani sari draped in the Gujarati style. Image Credit: Khamir Organization</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2328646129007612345939449387090/Bandhani-content-36e.jpg</image:loc>
                                            <image:caption>Artisans holding up a Bandhani fabric. Image Credit: Khamir Organization</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2328650054843686112806224304210/Photograph_of_a_Patiala_Punjabi_woman_in_Phulkari-_ca.1900.jpg</image:loc>
                                            <image:caption>Photograph of a Patiala Punjabi woman (Ilahijan Tawayif) in a Phulkari odhani, ca.1900. Image Credit: Photo India Heritage</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2328651011159792382056799180882/RISDM-2011-45-7-v_01.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2328653663100613906689358600274/Parsi-women-1024x758.jpg</image:loc>
                                            <image:caption>Photograph of five Parsee women in Gara saris. Image Credit: The Indian Express</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2328657161285819812747598403666/RISDM-55-286.png</image:loc>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/(re)painting-histories</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/I2328564693291801528878212880466/Yukti_V_Agarwal_RePaintingHistories_2023_0.1.jpg</image:loc>
                                            <image:caption>&lt;i&gt; Installation photograph of (Re)Painting Histories at RISD Museum, April 13, 2023. Photographed by Boris Gramajo.&lt;/i&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2328566209097655553739488270418/Yukti_V_Agarwal_RePaintingHistories_2023_2.2.jpg</image:loc>
                                            <image:caption>&lt;i&gt; Installation photograph of (Re)Painting Histories at RISD Museum, April 13, 2023. Photographed by Boris Gramajo.&lt;/i&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2328566821880046938297083402322/Yukti_V_Agarwal_RePaintingHistories_2023_0.1.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Installation photograph of (Re)Painting Histories at desi-gned II launch event at RISD Museum, May 19, 2024. Photographed by Erik Gould.&lt;/i&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2328598618348339350714108385362/Yukti_V_Agarwal_RePaintingHistories_2023_18.3.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2328599898865972715410052913234/Yukti_V_Agarwal_RePaintingHistories_2023_18.4.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://text.yuktiagarwal.com/art-and-design-from-1900-to-now</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/F2324990254964385418201989945426/RISDM-2019-56-v_01.tif.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2324992326275490478752702699602/Screenshot-2025-04-25-at-2.34.41PM.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2325000182743791471650735954002/EX2022.20_install-v_31.tif.jpg</image:loc>
                                            <image:caption>Installation view of Art and Design from 1900 to Now</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2325000183057386120903798331474/EX2022.20_install-v_35.tif.jpg</image:loc>
                                            <image:caption>On view 06-04-2022 through 09-01-2026 at the RISD Museum.</image:caption>
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        </url>
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                        <loc>https://text.yuktiagarwal.com/objects-may-shift</loc>
            
            
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                        <loc>https://text.yuktiagarwal.com/contemplative-spaces</loc>
            
            
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                        <loc>https://text.yuktiagarwal.com/the-malabar-mango</loc>
            
            
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                                            <image:caption>&lt;span class=&quot;caption&quot; style=&quot;color: rgba(0, 0, 0, 0.25);&quot;&gt;Parrot Perched on a Mango Tree with a Ram Tethered Below, ca. 1630 – 1670, attributed to Golconda, opaque watercolor and gold on paper. Image Credit: Metropolitan Museum of Art&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2326828781791379624844708845650/2011EX3652.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot; style=&quot;color: rgba(0, 0, 0, 0.25);&quot;&gt;Parakeet, ca. 1880, Patna, watercolor on paper, from an album of Company School Botanical Studies by Bahadur Lal II. Image Credit: Victoria and Albert Museum, London&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2326831584165399070578661693522/2006AH4466.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot; style=&quot;color: rgba(0, 0, 0, 0.25);&quot;&gt;Tree with Crows sitting on and underneath it, ca.1850, Bundi, opaque watercolor on paper. Next page illustrates the back of the painting with a folktale narrated on it. Image Credit: Victoria and Albert Museum&lt;/span&gt;</image:caption>
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                <image:image>
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                                            <image:caption>&lt;span class=&quot;caption&quot; style=&quot;color: rgba(0, 0, 0, 0.25);&quot;&gt;Tantrika Painting of a Cross-Legged, Meditating Rishi Aligning his Chakras (the nexus of metaphysical and biophysical energy that reside in the human body), date unknown, opaque watercolor on paper. Image Credit: Wellcome Collection&lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;span class=&quot;caption&quot; style=&quot;color: rgba(0, 0, 0, 0.25);&quot;&gt;Kamadeva on his Parrot Mount, with a Wielded Bow and Arrow, ca. 1800s, opaque watercolor on paper. Image Credit: Musée National des Arts Asiatiques Guimet&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2326836372368311539293265107026/Image-1-Option-2-.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot; style=&quot;color: rgba(0, 0, 0, 0.25);&quot;&gt;Parrot Perched on a Mango Tree with a Ram Tethered Below, ca. 1630 – 1670, attributed to Golconda, opaque watercolor and gold on paper. Image Credit: Metropolitan Museum of Art&lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;span class=&quot;caption&quot; style=&quot;color: rgba(0, 0, 0, 0.25);&quot;&gt;Hanuman Carrying the Mountain, ca.1850, Rajasthan, opaque watercolor and gold on paper. Image Credit: Christie’s London&lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;span class=&quot;caption&quot; style=&quot;color: rgba(0, 0, 0, 0.25);&quot;&gt;Hanuman, ca. 1700, probably Nurpur, Northern India, watercolor and gold and silver on paper, from the Coomaraswamy Collection. Image Credit: Museum of Fine Arts, Boston&lt;/span&gt;</image:caption>
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